Rep. Velazquez reminds the actor in this speech of the importance, the necessity, of finding the right words to convey the images/thoughts that are driving those words to make the person who listens to her see what she sees in her mind's eye. Note the clarity of the words and her emphasis on words like troops, fight, kick, blood. When the actor understands and is determined that her partner perceives her ideas, she won't smudge or contract the words of a sentence as do so many actors who are performing today. Note as well the lesson here that emotion is derived from cognition - always! The actor who reaches for an emotion or a "mood" is bound to deliver an indicated performance.
Discussion and critique of acting technique, theory and practice of the members of the Group Theatre as derived from the work of Constantin Stanislavski. All critique and point of view is written by June Barfield. All videos and print material on this blog are intended only for educational purposes and therefore fall within the purview of Fair Use under copyright laws. Contact: junebarfield@gmail.com
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Sunday, October 15, 2017
Rep. Nydia Velazquez's Additional Lesson
Rep. Velazquez reminds the actor in this speech of the importance, the necessity, of finding the right words to convey the images/thoughts that are driving those words to make the person who listens to her see what she sees in her mind's eye. Note the clarity of the words and her emphasis on words like troops, fight, kick, blood. When the actor understands and is determined that her partner perceives her ideas, she won't smudge or contract the words of a sentence as do so many actors who are performing today. Note as well the lesson here that emotion is derived from cognition - always! The actor who reaches for an emotion or a "mood" is bound to deliver an indicated performance.
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